Emily Wilson as Athena, age 8. (see "Growing up with the Odyssey," The Paris Review, August 7, 2017)
@EmilyRCWilson Scholia
Professor Emily Wilson’s Twitter feed (@EmilyRCWilson) provides her readers with insights into the art of translation. In recent posts, she has analyzed the challenges a translator faces, with examples from the Odyssey, Iliad and Oedipus Tyrannos (Norton 2021). Wilson also uses Twitter to compare short passages from different English translations of the Odyssey. She comments on how other translators have interpreted different words, phrases, and concepts from the original Greek into English.
In a blog post for The New Yorker, Dan Chiasson wrote about how "Wilson’s presence on Twitter is quietly revolutionary, a new kind of experience for readers, poets, translators, and really anyone who likes to watch knowledge take shape in an open format, its seams exposed" ("The Classics Scholar Redefining What Twitter Can Do", March 19, 2018).
Selected Twitter threads:
Hector and Andromache (June 30, 2023)
“Andromache takes/welcomes her baby to her κόλπος.”
Languages Individuate the World Differently (May 11, 2022)
“A classic translator's dilemma, … One language makes a distinction where another makes none.”
Hector’s Bird Omen (February 8, 2022)
“In the Iliad, an eagle flies past the Trojans, dropping the snake he carried -- & so gets home empty-beaked and wounded.”
On translating The Oresteia (October 1, 2020)
“In 2020... inequality, tyranny, grief, liberation, rage, action and reaction, generational change, and the proper function of norms and the rule of law have a new urgency.”
“Pompe,” A Noun Cognate With the Verb “Pempo,” “To Send” (May 21, 2020)
“In English, "send-off" suggests a knees-up, a party, not practical help for the journey.”
How to Address Your Closest Army Friend (May 20, 2020)
“The Greek word "pepon" is used to/ by brothers-at-arms, but also Cyclops to his beloved ram.”
Ovid’s Metamorphoses (February 6, 2020)
“If you are, for any reason, in the mood for a long poem about the abuse of power, I'd like to recommend Ovid's Metamorphoses.”
Some Challenges to Translating the Iliad (January 2, 2020)
“Ideally, every choice has to make sense in itself & in the context of 10,000 other similar choices, in the larger quest to produce a text with a deep and detailed connection to the original, & with its own life and integrity in English.”
NOT The First Woman to Translate the Odyssey (October 2, 2019)
“I put "NOT the first woman to publish a translation of the Odyssey" on my twitter-bio, after seeing it asserted for the gazillionth time.”
Juxtaposing Points of View in Homer (June 11, 2019)
“One of the most powerful features (tropes? modalities?) of Homeric verse is the juxtaposition of one POV with another.”
“Find the Beginning” The Odyssey (Book 1, line 10) (March 19, 2019)
“The Greek is this: τῶν ἁμόθεν γε, θεά, θύγατερ Διός, εἰπὲ καὶ ἡμῖν. My rendition is: '"Tell the old story for our modern times. / Find the beginning".”
The Impossibility of Translating Homer into English (March 8, 2019)
“So that you can all feel my pain, here are a few more reasons why it's more or less impossible to translate Homer into English in a satisfactory way.”
Stylistic "Equivalence"? (August 8, 2018)
"A question that is always present, for any translator: What is stylistic "equivalence"?"
A Translator's Choices: Lines 1-2 of the Odyssey (August 6, 2018)
"Why and how is translation so hard?"
Translating Oedipus Tyrannos (July 22, 2018)
"Creon says he is not, or not yet, τοσοῦτον ἠπατημένος as to want anything other than good things that benefit him."
Is the Hanging of the Slave Women "Right"? (July 16, 2018)
"After one of my recent "Conversation" interviews (in Sydney), someone asked me if the hanging of the slave women in the Odyssey is "right"."
Odyssey Text Comparisons:
“My exercise routine” from Odyssey 8.231-232 (June 11, 2019)
“Sometimes, in my various translations from ancient texts, I've wanted the reader to have the surprise of realizing for a second: I can imagine myself among them.“
“One of the most fascinating and heart-rending characters in the Odyssey is Penelope & Odysseus' only son, Telemachus.”
Wordplay and Penelope’s Coinage for Troy (February 6, 2019)
“She calls it "Kakoilion", "Badtroy". It's a striking verbal coinage, renaming the city in terms of her own perception.”
“So desire / would open up inside them like a sail.” (January 7, 2019)
“The verb in the original, petannumi, is most commonly used in Homer for spreading sails, tho' also of opening doors; it is definitely a live metaphor; so I put the sail in, because the connotation wouldn't be there otherwise.“
Chapter Titles in the Odyssey (November 8, 2018)
“Scholars debate whether the book divisions in Homer are themselves “original” (whatever that means), or the invention of Alexandrian editors.“
Pacing, Words, and Syllables (October 16, 2018)
“[The Odyssey is] a long poem about a long process, and it's also about how long it takes to tell the story. Right now I am agonizing about how to convert 10K words into 5K without losing anything important. Is that possible?“
"One of the most famous and heart-breaking moments in the Odyssey is about Argos the dog, who has waited 20 years for his old master and is lying neglected, in the dung. He hears O's voice again, pricks up his ears, and then dies."
The Simile of the Slave Women (March 8, 2018)
"I am thinking today, as often, about the slave women in the Odyssey, the ones who sleep with the suitors, who have been claimed by the wrong owners, who have the wrong memories. For Odysseus to claim back all power over his household, they need to be eliminated."
"The Sirens in Homer aren't sexy. e.g. we learn nothing even about their hair -- in contrast to other divine temptresses. The seduction they offer is cognitive: they claim to know everything about the war in Troy, and everything on earth. They tell the names of pain."
"Anthropos in Greek is the word from which we get "anthropology", the study of humans, and "misanthropy", the hatred of humans."
The Cyclops (February 11, 2018)
"Polyphemos is defined as a country-dwelling or wild man (agrios/agrion -- someone who lives in the country as opposed to the town, with connotations of roughness or fierceness). But he is definitely human, according to the Greek text. "Am I not a man...?" "
The Marriage Bed (January 20, 2018)
"Book 23, the moment when Penelope tells the slave woman to pull out the bed from the bedroom so the guest, Odysseus, can sleep. She hasn't yet acknowledged him as husband. It's a test, because O. built the bed from an olive tree that grows all through the house."
Scolding the Slave (January 11, 2018)
"Penelope scolds the slave Melantho, whom she has raised like a daughter. Melantho has been sleeping with a suitor. She speaks up, criticizing Odysseus. This may be the first moment in Western literature of a woman telling a woman to shut up."
"Translation issue of the day: metaphor; how and when to keep it."
"Pope really wants "morn" to be doing the walk of shame."